KRATKI REZI

nomads

Predstave

Jovana Rakić: A Mind Cut (SRB)
plesna predstava
Zgodba postavljena v vedno nove kontekste, ujeta v vedno nove zanke, podvržena vedno novim rezom in vedno znova sestavljena v celoto. Zgodba o moškem oziroma o ženski ali o dveh ženskah. Ali pa morda zgodba o kom povsem drugem. Zagotovo pa zgodba o nečem.Sokreacija in izvedba: Florian Wessels, Martina Rukavina, Krasimira Y. Bakardjieva, Jana Jevtović, Kliment Poposki
Glasba: “Devils Haircut” by Beck

Contemporary dancer and anthropologist, with a residency in Belgrade. Worked with choreographers, directors, musicians and visual artists from Serbia and
abroad. Currently attending Nomad Dance Academy, creating, living and working with a great group of artists.

Florian Wessels: Dice Decided (D)
a chance device
pridi/kocka čaka//vrzi jo/prazna miza ob steni//vrzi jo//izberi kvadrat/zapolni ga/napolni mizo/postavi okvir//vrni se//zberi naokrog/dopusti/uglej/dogoditi m come/Izvedba: Jovana Rakić, Esta Matković, Eléonore Richard, Pierre-Yves Diacon, Domen Šega, Florian Wessels
Zahvala: European Cultural Foundation/STEP beyond, Henning Jann, Markus Lohmann, Patrycja Szczeniowska, Piotr Szczeniowski, Laertes Sickert, Andy Zondag, Martin Hansen, my heart and my family

A vast multiplicity of themes running through my life along a long and winding road, leading me from science to arts, from the south of the border
to Norwegian woods, however nonetheless encountering chances with this year’s nomaddanceacademy.

Viktorija Ilioska: I am always watching you!(MAK)
predstava
Predstava z naslovom I am always watching you!/Nenehno te opazujem govori o občutku, ki ga vzbuja ideja o sebi kot objektu neprestanega opazovanja. Kako se počutiš, ko si pod nadzorom? Pet nastopajočih vas bo zvabilo v neudoben položaj, od vas pa bo odvisno, v kolikšni meri boste dovolili, da to na vas vpliva.Izvedba: Esta Matković, Martina Rukavina, Domen Šega, Kliment Poposki, Viktorija Ilioska

Viktorija is a young Macedonian dancer and performer. She lives, works and studies in Skopje.

Inti Šraj: It All Leads to a Smile (SLO)
solo predstava
Izredno osebna zgodba posredovana skozi izredno osebno govorico. Raziskovanje prisotnosti in iskrenosti na odru.Izvedba: Inti Šraj, Domen Šega, Florian Wessels, Pierre-Yves Diacon
Kostumografinja: Nataša Brecelj
Koreografinja: Jovana Rakić
Glasba: Antoine Barrau

Intimacy, Intimidate, Inti Šraj 1. 9. 1980 Ljubljana, Integrate, Intellectual, Intense, Interact, Intercept, Intercourse, Interest, Interpose, Internal, International, Interpreter, Interrogation, Interruption, Interstice.

Domen Šega: Watch Me Love; Is It Enough? (SLO)
predstava
Česa vse je sposoben moški pod urokom obsesivne ljubezni.Zasnova in izvedba: Maya Levy, Domen Šega
Zahvala: Ivana Ivković, Rok Vevar in skupini NDA 2010

bi·og·ra·phy: Pronunciation: \bī-ä-grə-fē also bē-\ Function: noun Inflected Form(s): plural bi·og·ra·phies
Etymology: Late Greek biographia, from Greek bi- + -graphia -graphy Date: 1683
1 : a usually written history of a person’s life 2 : biographical writings as a whole 3 : an account of the life of something (as an animal, a coin, or a building)

Esta Matković: So You’re a Philosopher? Yes. (HRV)
fizični teater
Imam popolni načrt zate! Skovan na osnovi odlične in edinstvene ideje, vseh navad in poslušnih sledov družbe. Posredovala ti ga bom kolikor hitro bo mogoče. Tokrat nisem priložila garancije, ker sem pismo že zaprla. Preprosto zaupaj mi. Z lepimi pozdravi.Izvedba: Viktorija Ilioska, Pierre-Yves Diacon, Martina Rukavina, Esta Matković

I´m between 19 and 34 years old. I am sitting. There is no chair. I don’ t have legs nor hearing, my arms are not there. I am controlling my breath, following
my thoughts with a movement of the eyes. I am an improviser. The best I can do. It´s better not to start talking about my skills, they could disappear. It could be
really awkward not to know whom you are talking with.

Katelina Kancheva: Stopi navnoter (BOL)
eksperiment
Step Within/Stopi navznoter išče in odpira meje med plesom, gledališčem, intervjujem, videom, filmom in improvizacijo v življenju. To je zgodba nas vseh, ki iščemo pot drug k drugemu. Navadno se v iskanju oziramo za tistim zunanjim, vendar pa v resnici majhni koraki znotraj nas lahko botrujejo velikim spremembam. Če so naše oči to le sposobne opaziti. “Čutim kako se na kose cefrajo moje oči. Kaj naj storim s svojimi očmi? Kaj naj gledam? Ti sprašuješ, kaj naj gledaš. In jaz sprašujem, kako naj živim. Gre za eno in isto stvar.”Izvedba: Katelina Kancheva , Krassimira Bakardjieva, Pierre-Yves Diacon, Florian Wessels, Viktorija Ilioska, Martina Rukavina, Esta Matković, Inti Šraj
Na videu: all NOMADS 2010

Katelina Kancheva is a Bulgarian freelance performer with a background in directing, acting, visual arts and writing. She has earned her degree at the Department of Theatre Acting (2009) in the New Bulgarian University. She attended a one year class of film and television directing in NATFA (The National Academy of Theatre and Film Arts) (2004) and was awarded a 3 month scholarship specialization in Utrecht School of the ARTS (HKU) (2008). Katelina performed in many independent art projects and she continues her research on the subject of “what is act, dance, theatre and film in every art field“.

Martina Rukavina: “1891” (HR)
predstava
Ženska čaka, njen mož je v vojni in njen sin vadi za tekmovanje, ki sploh ne obstaja. Izgubljeni so v času. Povezave med njimi zbledijo, medtem ko se vsak zase oklepajo svojih spominov.Izvedba: Inti Šraj, Kliment Poposki, Pierre-Yves Diacon
Glasba: “Ahccai” by Mari Boine

Martina Rukavina was born on 2nd August 1987 in Rijeka, Croatia. When she was five years old she attended the rhythmic course under the mentorship of
Tereza Dubrovic. She began her studies in classical ballet at the Ivan Pl. Zajc Theatre in Rijeka, Croatia. After finishing elementary school she was admitted into the
professional High School of Contemporary Dance” Ana Maletic” in Zagreb, Croatia. In 2006 Martina entered a professional program at the Salzburg Experimental
Academy of Dance (SEAD). In 2009 she graduated, successfully completing the professional program of university standard at the Salzburg Experimental Academy
of Dance (SEAD).

Maya Levy: Atomic Bomb From the Left (IZR)
skupinska predstava
Štirinajst performerjev iz različnih držav in različnih narodnosti raziskuje skupinsko obnašanje. S pomočjo majhnih premičnih sličic preskušajo nasilne, tekmovalne, vesele in histerične situacije. Postavljajo vprašanja o kolektivu in njegovih vzorcih, o neumnosti množice in o izbirah, ki se navkljub okoliščinam porajajo posamezniku.Sokreacija in izvedba: Domen Šega, Inti Šraj, Esta Matković, Martina Rukavina, Kliment Poposki, Viktorija Ilioska, Katelina Vladimirova Kancheva, Krasimira Yossifova Bakardijeva, Jana Jevtović, Jovana Rakić, Eléonore Richard, Pierre Yves Diacon, Maya Levy, Florian Wessels
Glasba: song title: Layla Layla; lyrics by: Natan Alterman; composed by: Mordechai Zeira; performed by: Harry Belafonte

Maya was born and lives in Israel. She was educated in the School of Visual Theatre in Jerusalem. Since 2003 she has been working as an independent choreographer and her work has been performed in Israel and abroad. Maya was the artistic director of the dance department in the Hazira Theatre for performance art in Jerusalem between 2007 and 2009. Her new piece KINGFISHER- a duet on a trampoline, premiered in April 2010 in Dresden Tanzwoche, Germany, and will be performed in Israel this September.

Éléonore Richard: Pink Sketches of blue (CH)
koreografizem
Pink sketches of blue/Skice modre v roza raziskuje idejo o gibanju, ki se ne odvija niti v času niti prostoru. Gre namreč za premik gledalca znotraj njegovega popolnega mehurčka, v katerem je vse pomešano, v katerem ni nič pomembno, v katerem absurd leži tik ob realnosti. Mehurčki imaginacije, kaos koreografij, kjer osnovna pravila časa in gravitacije več ne obstajajo.Izvedba: Éléonore Richard
Glasba: Christophe Studer

Eléonore Richard is a Swiss artist born in 1982. She benefits from two trainings which allow her to practise professionally two professions in equal part: graphic designer and dancer-choreographer. Eléonore develops consequently these two disciplines in an auxiliary, additional way, experiments to the everyday life with the visual strength of the art as much in front of a computer as on a stage. Since 2009 she is the founder and director of her company.

Jana Jevtović: The Wishing Floor (SRB)
trio
Kako blizu je najbližja resnica? Kakšna je minimalna razdalja med dvema človekoma? Ali bo bolelo, če jo prečkamo? Trije performerji prenašajo intimnost in osamo sredi sveta, kjer se nič ne ujema, in ki peha njihova telesa v razpust, v okvaro, v izčrpanost. Kdo od njih bo na sredi fluidnosti situacij preživel posledice poželenja, ki se razpirajo vse od skrajnega absurda pa tja do boleče realnosti in spet nazaj? Kakšna je logika studa?Sodelavci in izvajalci: Maya Levy, Esta Matković and Jovana Rakić
Glasba: “Perfect Day” by Lou Reed
Tekst: David Gutierrez-Campeau

Jana is a choreographer and performer born in Belgrade and living in Montréal. Since the completion of her studies in Contemporary Dance at Concordia University in 2006 she has continued to perform in the works of several local choreographers as well as Transition Opera in London, U.K. Her collaborations with experimental film-maker Csérnak-Risko produced a number of works which continue to be screened at festivals such as Screendance Basel Film Festival and LOIKKA Dance Film Festival.

Kliment Poposki: The rite of passage (MAK)
fizični teater
Predstava govori o outsiderju, ki išče svojo pot navznoter. Gre za poskus iskanja pripadnosti, ki ne zahteva izgube lastne identitete, na pot se podaja s pogledom uprtim v prepreke ter njihovo premagovanje.Kreacija in izvedba: Florian Wessels, Domen Šega , Jovana Rakić, Kliment Poposki, Pierre-Yves Diacon
Glasba: odlomek iz ‘The Crossing’ – Lisa Gerrard
Zahvala gre: moji družini, Nomadom 2010, Nomad Dance Academy in Lokomotivi Skopje

Kliment Poposki currently lives in Skopje-Macedonia and graduated in Arts – Acting at the Melbourne National Theatre in 2005. His works include dance, stage, film and TV in Australia and Europe.

Krassimira Yossifova Bakardjieva: Tu as oublié le sel ma chérie (Dragi, pozabil si sol) (BOL)
sodobnoplesna predstava
Zgodba o spodbujanju niza srečanj s samim seboj, s prijatelji in ljudmi. Je aromatična, okusna, barvna in zvočna večerja z nepredvidljivim koncem. Sladkor + moka + jajca + oljčno olje + soda + pecilni prašek + cimet + rozine + korenje + oreščki + ananas + pomaranča + sir + sol = SrečanjeKreacija in izvedba: NOMADS 2010

Krassimira Bakardjieva is an optimistic Bulgarian freelance performer.

Yves Diacon: Interstices – Pierre (CH)
zasedanje praznih vrzeli
Interstices/Vrzeli uporablja majhne časovne špranje, ki se porajajo med predstavami, in sicer z namenom, da ponovno artikulira ponikajoče delce spomina in odmeve predstav ter obenem na njihovi lokaciji pusti drugačne vrste sledi. Ta koncept si izposoja tematiko nekega drugega projekta, imenovanega “empty shell/ prazna školjka”, ki je bil sicer zasnovan med NDA 2010, vendar v festivalskem sklopu Kratkih rezov ne bo realiziran. Projekt “empty shell/ prazna školjka” se ozira na začasno osamo prostora, na to, kar je ostalo po nedavno končanem dogodku, za sledovi, ki jih bo pravkar prekrilo ali prepisalo novo dogajanje ter za usedlinami spomina, ki se v plasteh nabirajo v nekem prostoru.Koncept: Pierre-Yves Diacon / Mondes Transversax Co.
Ustvarjalci sledov: Inti Šraj, nastopajoči, tehniki, publika
Idejna ekipa: Pierre-Yves Diacon, Inti Šraj, Rok Vevar, Christophe Studer, Tomaz Štrucl, Goran Bogdanovski, Boštjan Benčič, Rožle Palcar

Pierre-Yves Diacon studied choreography at the SNDO (Amsterdam). He works professionally as dance-maker and contemporary dancer since 2005. He also practices break-dance in a high level since the middle of the 90’s. In July 2008, he started the Mondes Transversaux dance company based in Neuchâtel, Switzerland.

Cena vstopnice: 7 eur
Festivalska izkaznica: 32 eur
Prodaja vstopnic: eno uro pred predstavo na lokaciji
Informacije in rezervacije: 031 554 870