Via Negativa: THE NINTH
THE ANTHROPOLOGICAL MACHINE powered by Beethoven
“The taming of man has failed”, says Peter Sloterdijk. “Civilisation’s potential for barbarism is growing; the everyday bestialisation of man is on the increase.”
The Ninth strolls through the entire sound landscape of Beethoven’s Symphony No. 9. On the one side there is a “masterpiece of the western civilization:” “Giant and complex.” “Sublime.” “Striking example of human spirit.” “Triumphant vision of brotherhood.” (more…)
Beton Ltd.: ICH KANN NICHT ANDERS
November 19th and 20st at 8.00 pm
Sports Club Tabor hall (Tabor 13)
The bridge between being principled and practical is called survival. In theatre, we always use stories to be able to talk about the world, we play roles to be able to speak of human nature, and we pretend that a table is a table. (more…)
Kaja Lorenci: JUST IN APPEARANCE SOMETIMES AS EVERYONE ELSE
Photo: Nada Žgank
In her performance Just in Appearance Sometimes as Everyone Else, Kaja Lorenci multiplies the form of the duet with different dance tasks and configurations, delimiting it by two choreographic contrasts: the solo as the dancer’s monologue, which is a kind of a precondition for establishing communication with the other, and the group choreographic configuration, in which the duets enter their indistinguishable multiplicity. (more…)
Bunker’s New Year’s Dance 2017 with The Oath
You are kindly invited to the Bunker New Year’s Dance at the Old Power Station on Saturday, December 10.
At 8 pm, we will begin with the performance The Oath, where we will take the oath even more passionately. At 9.30 pm Kafana will be transformed into a dance floor, animated by DJ Kitch. Musical atmosphere will be shaped by the music of 80’s and 90’s, disco, hip hop, ex-YU hits – with the reference to the current dance sound. Moto of the evening will be: “Tek je 12 sati”(transl. It is Only Midnight).
Happy 2017! (more…)
Beton Ltd.: EVERYTHING WE’VE LOST, WHILE WE’VE GONE ON LIVING
Bold glamour and exquisite show; grandiose buildings and the time when anything is possible; is that merely a dream from the past? What were we born into and what kind of circumstances did we grow up in? (more…)
Matija Ferlin: STAGING A PLAY: THE GLASS MENAGERIE, premiere
In his new creation Staging a Play: The Glass Menagerie, Matija Ferlin continues to mine the interzone between the abstracted dancing body and the conventions of the theatrical. For the first time Ferlin works from a source text, The Glass Menagerie by Tennessee Williams, a play belonging to the theatrical cannon. (more…)
Jan Rozman: SENZASENSO, premiere
Senzasenso is a place where I find no meaning.
Senzasenso is a state of restlessness which leads nowhere.
Senzasenso is an idea gone wrong.
Senzasenso is a thought falling apart. (more…)
Snježana Premuš: PHYSICAL MANIFESTATIONS, premiere
In the period 2012–2015 the topic of embodied thought is in the centre of research by Snježana Premuš. In this time she publicly presented the project in form of documentary installations and film: the inter-medial installation Intelligent Body 2012, the pilot for the dance documentary Intelligent Body 2013, and the dance-documentary presentation of the project Physical Manifestations 2014. (more…)
Lana Zdravković, Olja Grubić, Nika Rozman: TO THE LAST DROP
Drinking is one of the most widespread and universal ways in which we express and socialize a wide range of emotions from joy to sadness, from hope to despair, from defeat to triumph… In fact, there is no reason that would not be appropriate for drinking. (more…)
Ivica Buljan: CAPITAL, Slovene premiere
The forthcoming season of Mini teater’s post-dramatic programme will see a new chapter in Ivica Buljan’s opus with his direction of the performance Capital, based on Thomas Piketty’s best-selling book Capital in the Twenty-First Century. (more…)