Leja Jurišić, Petra Veber: BALLET OF REVOLT
“Powerful music from the Dada film Ballet Mécanique from 1923 presented a meaningful sound background. The mechanic sounds emphasised the crisis of existence, which was radiating from the performance. The existential crisis was presented at a personal as well as collective level. (more…)
Mateja Bučar: PROCESIRANJE … POINT-LESS
Geometrical point is a name for an invisible or visible object … One point less or Point-less stands for an intense research of movement with real and “imaginary” points – ellipses. Ellipses lure into the beauty and exciting madness of their inner relations. Every ellipse is composed of two individual inner focuses on one hand and the constancy of relations and opposites arising between them on the other. An appealing definition for many realities and for several point-less coordinates that determine us. (more…)
Anita Wach, Bojan Jablanovec: OOPS
“The historical project of the Enlightenment failed. Lights do not work at all.”
Oops is a solo dance performance enacted as a continuous “dialogue” between the dancer and the stage, which keeps questioning the meaning of the performer’s and its own existence. The stage takes on the role of a “dramatis personae”, addressing the audience and the dancer by way of a projected text: “I’m having trouble with the lights. I know I should turn them on any moment now. But I am afraid that this could be a mistake.” (more…)
Beton Ltd.: I SAY WHAT I AM TOLD TO SAY
The perfomance I Say What I Am Told To Say is tackling the interpretation of Samuel Beckett’s work in an original way. Beckett, intimate in presenting his own stream of thoughts and yielding himself to the events from the outside world, is a starting point for the authors and performers: Primož Bezjak, Daša Doberšek, Branko Jordan and Katarina Stegnar, united in the collective Beton Ltd. (more…)
DANCE-EDGE-CENTRE
Closing event of the Contemporary Dance Network & Gibanica on Tour
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Tina Dobaj Eder, Gregor Kamnikar : CAPITAL
“Moments are the elements of profit!“ Karl Marx
Summer special offer!
First time in Slovenia!
Dance performance on the market at ridiculously low price!
Grab the opportunity and become a proud co-owner of this performance!
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Matija Ferlin: SAD SAM Lucky
SAD SAM Lucky, a new solo creation by the Croatian choreographer and performer Matija Ferlin, is a continuation of the ongoing romantic conceptual series SAD SAM that started in January 2004 in Amsterdam when the first SAD SAM Now I am was premiered. (more…)
Palle Granhoj: MEN & MAHLER
What do you get, if you put a female singer and eight male dancers from various countries together for eight weeks, and everyday deconstruct the work they create? (more…)
Mateja Bučar: Procesiranje… POINT-LESS
We are starting an intensive research of the movement with real, as well as unreal ellipses. They invite us into the beauty and strained insanity of their interior relations. Namely, each ellipse is composed of two independent interior focuses and of constantly changing relations between them. A pretty attractive definition for many realities we are involved in. (more…)
Maja Delak: SHAME
How to stage something as performative as shame? How to speak about that which eludes words? How to be communicative without shaming? (more…)