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MAKfest is a charity cultural festival, organised by high school students. It will take place between 12th and 17th April 2010 in different locations across Ljubljana city centre, presenting both rising artistic talents as well as generally recognized artists. You can yourself join artists’ efforts and contribute to the scholarship fund established for high school students from deprived single-parent families by purchasing entrance tickets! (more…)

Via Negativa/Primož Bezjak: INVALID

April 16, 2010 8:00 pm April 17, 2010 8:00 pm

Dance solo performance. »28th September 1990, Maribor General Hospital. A rock rolled up from beneath his feet and hit his left knee. « (more…)

Mateja Bučar: BILA BI PALMA

April 26, 2010 8:00 pm April 27, 2010 8:00 pm

The perversion of destiny, otherwise known as reality, is a flow of various interpretations as well as creations of the human mind. Bila bi palma is a dream of travelling into an exotic world and of living another, different and dreamlike life, while in fact we remain to be confronted with stillness, motionlessness and confinement to one single spot. And this after all is the reality in which our search for the path between dreams and real life genuinely takes place. (more…)

4. letnik SVŠGL – umetniška gimnazija: VEČER PLESNIH SOLOV

May 6, 2010 7:00 pm

Pred-premiera ’10 – the final student production of all four years of SVŠGL dance high school will this year for the first time be accompanied by a presentation of work carried out by the 4th Year students. They are preparing a short authorial solo in the framework of their graduation assignment, which relates to the theme To see and/or be seen from the third essay of the book Ways of Seeing, written by John Berger. The theme remains to be the same as the one foreseen for the group choreography. Students are to prepare their authorial solo on the basis of previously conducting their own research with regard to the theme, leading to development of their own content. (more…)

Via Negativa: CASABLANCA THERAPY

May 8, 2010 8:00 pm May 9, 2010 8:00 pm

The cooperation between Via Negativa and international organisation DNA (Development of New Art, an association of cultural organisations from Prague, Bratislava, Warsaw, Budapest, Aarhus and Ljubljana, represented by the Glej Theatre) will give birth to a new international project, which brings together five female performers: Marie-Louise Stentebjerg and Emma-Cecilia Ajanki from Denmark, Anita Wach and Magdalena Tuka from Poland, Katalin Kovacs from Hungary and a Via Negativa performer Grega Zorc from Slovenia. (more…)

Celinka: Festival GODIBODI

May 11, 2010 - May 15, 2010

Produced by the agency and publishing house Celinka under the artistic guidance of an accordion player and composer Janez Dovč, the Godibodi festival is to present top national and foreign musicians and bands in the area of world music at 9 concerts in 3 concert locations. (more…)

Neven Korda: ECHOES

April 20, 2010 8:00 pm April 21, 2010 8:00 pm May 19, 2010 8:00 pm

»Great stories have passed. The past great stories have passed. The world collapsed into a multitude of fragments. Multitudes of fragments have passed. What comes is fear. What comes is dictatorship and confinement. What comes is the dreadful truth of slavery. Little vicious characters come to stand at the forehead of the armies of malice.« (more…)

Public discussion: INVESTING IN CULTURE

May 19, 2010

11:00 am - 1:00 pm

Non-governmental organisations in the area of culture and art are confronted with the challenge of searching for alternative sources of funding, since public subsidies frequently turn out to be insufficient for the execution of programs in a quality manner. When approaching potential investors and sponsors, however, NGOs often receive negative responses with a repetitive explanation, claiming that companies have no benefit from investing in culture. The recession has made this problem even more acute. (more…)

Sebastijan Horvat: MANIFEST K.

May 22, 2010 8:00 pm May 23, 2010 8:00 pm

»Capitalist relations have profoundly inscribed themselves in all relations of a man’s social symbiosis. Every theatre performance likewise emerges from the very horizon, which itself produces bourgeois economic relations. What remains to be answered then is if it is at all possible in the first place and, if so, how to disentangle oneself from the basic economy of a theatre performance, which places a spectator in a position of a coldblooded judge, distanced from a performance, where general boredom and intimate personal boredom overlap, leaving a spectator consoled with the pleasure of exteriority and with a feeling, which conveys presence of meaning.«
Sebastijan Horvat (more…)