Production
            BETONTANC: WRESTLING DOSTOIEVSKY 
            LIFE IS REVENGE BEST SERVED  
            Two hundred and fifty years of  psychological realism had set some seemingly untouchable standards:  
              - each character must be portrayed  with the maximum possible amount of information on his or her appearance,  speech and behavior  
              - a character’s past must be known,  because all the motivations for his or her behavior come from therein  
              - A character must be completely  independent, meaning that the author must remove himself and his opinion from  the story, in order not to disturb the reader or viewer, attempting to accept  fiction as reality  
              But there are authors who have broken  this age old pact between novel and reader. What do we know of the childhood of  K. or Švejk? Musil, Broch and Gombrowicz appear in their own novels with  opinions of their own, because a character is not a mocking bird approximation  of a human being but rather a fictional person, an experimental I.  
            But don’t get me wrong: I have no  intention to complain about the viewer and the viewers naive, yet legitimate  desire to sink into a performances dream world and substitute it with reality  at times. I am not however certain that the technique of psychological realism  is the only possible way to get there. Due to lack of information our character  shall be no less alive. Because to create a living, life-like character is to  reach the bottom of his or her existential core, the bottom of the few poses,  motifs and keywords that mould the character. This is why a performance does  not research reality but rather existence. And existence is not what has  happened, existence is a wide field of man’s possibilities, everything a  character may become or could become, not even knowing. A character and his  world must therefore be understood as a possibility, a world not like any known  reality, but rather a final and never realized possibility of human existence.  
              m. 
              
            Directed  by: MATJAŽ POGRAJC 
Created and  performed by: BETONTANC 
    wrestling Raskolnikov    PRIMOŽ  BEZJAK 
    wrestling Sonja             DAŠA  DOBERŠEK 
    wrestling  Porfirij            BRANKO JORDAN  
   wrestling Polja               ANDREJA KOPAČ 
   wrestling Dunja             IRENA KOVAČEVIĆ 
   wrestling Svidrigajlov     BRANKO POTOČAN 
                                   
Music by: SILENCE (Boris  Benko in Primož Hladnik) 
Set design: SANDI MIKLUŽ in/and MATJAŽ POGRAJC 
Dramaturgy: ŽELJKO HRS 
Theory: URŠA ZABUKOVEC 
Costum design: MATEJA  BENEDETTI 
Light design:TOMAŽ  ŠTRUCL 
Sound design: JURE  VLAHOVIČ 
Executive producer: IRA CECIĆ 
Tour manager: MAJA VIŽIN 
Photo: PRIMOŽ BIZJAK 
Produced by: BUNKER in collaboration with Schauspielhaus 
With help of: KUD Opoka -  Goriška Brda, L'animal a l'esquena, Centre de Creacio, Celra       |